Thus, both these hideously opportunistic worlds collide with “Red Sparrow,” an adaptation of the novel of the same name designed to check off every box the female super spy genre has to offer. As women have continued to forge a place for themselves on and off screen, many men have stood by their sides leering and waiting for a chance to cash in on what they consider to merely be a “trend.” Concurrently, film fans have waited tirelessly for Marvel to give in and gift the world with a Black Widow film, studios have been scrambling to provide audiences with a passable alternative. I f there is any such thing as plague in the Hollywood filmmaking of the moment, it’s male filmmakers mistaking violence and humiliation as empowerment.
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